Pierce’s Favorite Movies

As I mentioned in Episode 1 of the show, this list is really in no particular order except for the first three movies.  Jurassic Park and Star Wars: Episodes 4 and 5 are definitely my three absolute favorites.

1. Jurassic Park
This movie really has no flaws and might be my favorite film. The special effects, which are now almost twenty years old, still look fantastic and are beter than the majority of the movies that came out this year. The score also adds a lot to the movie and is very memorable. The characters—especially Dennis Nedry, John Hammond, and Ian Malcolm—are all entertaining to watch and feel like real people. The acting is great, the action scenes are incredibly intense, and the story is a fantastic homage to King Kong. As a child I grew up with it, enjoying it for its scary monsters and the imagination it instilled in me as I played with the movies’ action figures. Now when I watch it I love it for its fascinating science and engaging dialogue. This is one of the few films that gets better and better every time I watch it.

2 and 3. Star Wars and The Empire Strikes Back
While each of these movies has its own strengths, this was a trilogy that I grew up with, so it’s hard to talk about one without talking about the other. I don’t remember how old I was when I first saw them, but for me the Star Wars trilogy has always been a part of my life. I love the music, which even as a small child I recognized as being better than any other movie, and the adventures the characters go in these two movies have always captivated me. The scenes in Mos Eisley Cantina and Bespin especially stand out, since I have always seen these places as being both fully-realized, yet at the same time other-wordly, a perfect balance that, once again, allowed my imagination to run wild. George Lucas gets a lot of shit nowadays, somewhat deservedly so, but I think anyone who grew up with his universe has to thank him for his original Star Wars trilogy, especially the impeccable first two films.

4. The Truman Show
This is a film that makes you see life in a whole new way. After I saw it for the first time at about the age eleven, I remember constantly being paranoid that my life and the people around me weren’t as they seemed. Now, as I have grown older and I have watched the movie several more times, the lessons I take away from the movie are for more significant: learn to value the things in your life that truly matter and make time for them. The moral dilemma that the movie presents, where Truman is forced to choose between pleasing the masses or pursuing what matter to him, is a really interesting one. Jim Carrey really shows his acting chops off in the movie: “Good morning! And if I don’t see you, good afternoon, good evening, and good night.”

5. The Life Aquatic With Steve Zissou
This movie is memorable for a lot of reasons. First of all, I just love Wes Anderson’s style that pervades all aspects of the film: the Team Zissout uniforms, the scene in the submersible, and the David Bowie covers done in Portuguese by Seu Jorge, just to name a few examples. There are also some really great action scenes, namely the attack on Ping Island and the pirate raid of the Zissou boat. However, what really makes the movie great are the characters and the fantastic performances given by the actors. Bill Murray has to learn to become a father to his son, while at the same time Owen WIlson deals with being an unwanted bastard. Anjelica Houston struggles with balancing her love for her husband with not letting him take advantage of her monetarily. Cate Blanchett also struggles with raising her unborn son without the father, who has left her. Even the character of the bond stooge is hilarious as he turns from an uptight business man into a guy that does not really give a shit about the finances of the trip. All in all this is a great movie that manages to tell a story of heartbreak, character introspection, and revenge.

6. Big Fish
The first time I watched this film I clearly remember my reaction towards it developing as I saw more and more. For the first part of the movie I really didn’t know what to think, especially during the scene with the young children and the witch. I thought that I was going to get another one of Tim Burton’s recent gothic, overly stylized, and yet backed with little substance, popcorn flicks. As the movie progressed, though, I couldn’t help but become emotionally involved with the story. Ewan McGregor and Albert Finney each bring unforgettable performances to the forefront of this epic tale about a grown man trying to figure out who his father really is. This movie really engulfed me into its magical world filled with fantastical people and incredible stories that are too other-wordly to be possible—or are they?

7. Groundhog Day
Bill Murray really set his name in stone as a dramatic actor in this film. The idea behind the movie is somewhat similar to Dickens’ “A Christmas Carol,” but instead of seeing three different perspectives of his life, Murray is forced to relive the same day over and over, endlessly questioning the small decisions he makes as he tries to escape the never-ending cycle. The movie is all over the place in its tone, containing scenes of slapstick humor to be followed only minutes later by attempted suicide. In spite (or maybe because) of this, the film is an easy to digest take on a deep topic—human morality. It’s a comedy, a romance, and a drama, all perfectly wrapped up into one fantastic product. This movie is great to watch with nearly any audience—I was very young when I saw it for the first time—and I couldn’t recommend it more.

8. Blade Runner
Set in such an immersive and overwhelming world, Blade Runner is a movie that is difficult to watch without constantly studying it. Part of this has to do with the crowded, dark, and futuristic Los Angeles it is set in, perhaps a prediction of things to come for humanity, and the other part is one of the most existential questions that is prevalent in every aspect of this film: what makes something human? Usually when movies have the balls to ask such a deep question, which is a rarity in itself, they aim high, but ultimately fail in their execution. I would liken this to a movie like Cloud Atlas or Prometheus; in those movies you can see how intelligent the director is trying to be, but in the end you don’t really give a shit about the “important questions” they are trying to ask (or I didn’t at least). Blade Runner sits in complete contrast to those films—you feel for the constantly questioning Deckard (Harrison Ford) as he hunts down androids that seem to be more human than the drone-like people that populate L.A. Rutger Hauer also delivers my all-time favorite monologue with his extremely moving “Tears in Rain” speech towards the end of the film.

9. The Shining
Jack Nicholson gives one hell of a performance in this movie. It explores the gradual decline of Jack Torrance’s mental state, as he goes from an alcoholic trying to make amends for his past failures and turns into a blood-thirsty lunatic that tries to murder his wife and son. This is one of my favorite movies not just for its psychological thrills and dramatic scenes, but also for its heavy amount of dark humor—this movie honestly makes me laugh more than any other. Scatman Crothers is also an incredible bad ass in this film.

10. There Will Be Blood
This is one of my favorite character studies, right up there with The Shining. The role of Daniel Plainview is perfectly suited for Daniel Day-Lewis, who brings one of the most memorable acting performances of the last twenty years to the screen. The direction done by Paul Thomas Anderson is nearly flawless, and the haunting score from Radiohead guitarist Johnny Greenwood really elevates the film and perfectly matches its tone. I could watch very few character studies over and over again, but this is one of them.

11. WALL-E
A gorgeous film that might have made it onto my list for one reason alone (which I briefly mentioned on the show during episode 1): the scene with WALL-E and EVE dancing in space is an image I have etched upon my mind. The CGI is simply stunning as chemical bits from the fire extinguisher propel the two intertwined characters all around the Axiom spacecraft. The beautiful artwork is perfectly matched by a moving score from Thomas Newman, music that wonderfully encapsulates all of the emotion and magic developing on the screen before you. On top of that, the scene serves as a symbol of hope for both the ship’s captain, who has no idea what dancing even is, and for us as the viewers as we see that pure happiness can come from the simplest interactions in life. While this scene is my favorite part of the film, the entire movie is an entertaining viewing for children, beautifully moving for adults, and manages to convey a simple, easy to grasp message about the respectful manner in which we need to start treating our planet.

12. Dazed and Confused
You hear about the beer bust at the Moontower, man? A classic comedy that I laugh at more and more with each viewing, Dazed and Confused is amazing because it makes me feel so nostalgic even though I grew up two decades after the one in which the movie takes place. The acting is just downright fun to watch as each respective character goes through a typical high school day in the 70’s. I would almost label this movie as a realistic spin on coming of age stories—none of the characters make any tough moral decisions or drastically change from the start to the end of the movie. Instead, they sort of morph slowly throughout the movie and show flashes of the people they will eventually become. I’m going to sum up this one by channeling my inner-Leonard Maltin douchiness: this laugh-a-minute joyride will leave you wanting seconds.

13. The Lord of the Rings: The Fellowship of the Ring
A fantastic film for so many reasons: the epic, daunting journey, the close-knit group of characters, the intense battle scenes, the stunning camera shots of the sprawling New Zealand country side, and a truly awesome score. What’s especially great about this film is its sense of pacing—even though it runs for nearly three hours, the story moves along with great rhythm. The fight scenes last for the perfect amount of time and never seem over-the-top in their action, yet at the same time dialogue-heavy scenes are masterfully calculated to provide necessary character development without feeling drawn out. Peter Jackson did a remarkable job of bringing Middle-Earth to life in this engaging depiction of J.R.R. Tolkien’s source material.

My Close Calls
I love each of the following movies, but for whatever reason I just couldn’t throw them up above with the rest of my favorites.

1. Duck You Sucker (A.K.A. A Fistful of Dynamite)
2. The Good, the Bad, and the Ugly
3. Ben-Hur
4. What’s Eating Gilbert Grape
5. The Big Lebowski
6. Punch-Drunk Love

Why I Watch Movies

About  four-fifths of the way into The Hobbit episode of this podcast (Episode #1 “An Unexpected Podcast) during the “Pick Your Poison” segment Pat brought up the question of “would you ask for your money back or do you wish you had your time back” in regards to the 2012 version of The Hobbit. He proposed the question to Pedro after Pedro mentioned that he had a mediocre reaction to The Hobbit.  I thought this was an interesting question, since even I, who came away from the movie with mostly negative thoughts about the movie, would not have asked or wanted my money and time spent watching the movie back.

This led me to think about why I watch movies in the first place.  Movie watching is one of my favorite things in the world and going to the theater is my favorite activity to do. If a friend asks me to see a movie I will see nearly ANYTHING in the theater just because I love going there so much.  I think it is a result of nostalgia; going to see a movie on the big screen brings back that sense of childhood wonder and joy. I genuinely get excited as I pay for my admission, line up to get concessions, and wait for the person to take my ticket.  I absolutely love plopping down into the cushiony chairs and turning off the electronic distractions that tie me back to the real world.

I watch movies not only for escapism, but also for the fact that good movies often entrance me in regards to what they tell us about our culture and human psychology. I’ve easily learned more from movies than any class I’ve ever taken in my entire life.  I might go so far as to say that a few movies on their own have taught me lessons that a college-level course couldn’t in a full semester.  I think this has to do with movies’ ability tell us about what we like and who we are—they mimic reality in that way.  The characters and situations that I enjoy or find myself uncomfortable with say a lot about who I am as a person.

Certain movie clichés bother me more than other people because I notice them more and I don’t like the real life situations that they represent.  One of these is the action of a character passing his or her hand over a dead character’s eyelids in order to shut them.  I dislike it not just because it is so over done, but also for the fact that frequently in those movies that is the extent to which a certain character will pay homage to their dead counterpart on screen.  It just seems fake and overly rehearsed, characteristics that shouldn’t describe the way one remembers those they care about.

On the other hand, I tend to ignore many film faux pas because those things are comforting to me and seem part of normal life.  For example, my sister dislikes the close relationship of Frodo and Sam in The Lord of the Rings trilogy (she even describes it, like many have, as homosexual).  I don’t see it that way and actually love that aspect of the movie.  It reminds me of the tight bond I’ve shared with friends in the past and the feeling that I would do anything to help them out.  It’s a genuine on-screen relationship that reminds me of the happiness that I share with the people in my own life.

The point I’m getting at is that ALL movies can help you to realize characteristics about yourself, even the awful ones.  I think you would be taking the wrong approach towards movies by viewing them as a commodity to utilize and dispose of.  Thinking “man that was such a waste of money for such a shitty product” towards something like a greasy hamburger makes sense, but I don’t think those thoughts should apply to movies.  Pat’s aforementioned question made me realize that I wouldn’t ask for the time or money back on any of the movies I’ve seen this past year, because even the worst ones were fun to watch and talk about with friends.  Let me know what you think about this in the comments section below.

Pedro’s Best of the Worst

There are some days that I can’t sit through a good movie, for whatever reason, I just can’t. It’s like Pat always says, “many good movies are a task to sit through”. I don’t know if I completely agree with Pat, but after a crappy day there’s nothing better than sitting down and watching a steaming pile of shit. These movies are great to laugh at, great to criticize, and in the end great to forget (or watch again if you choose to).

1) The Room

I can’t even count the number of times I’ve watched this movie. It’s groan out loud bad, full of terrible royalty free music, and never tries to make sense. Easily one of the most quotable movies out there, in fact I wouldn’t be surprised if you heard some drops from it every once in a while on the show.

2) Piranha 3DD

Now wait, is it Piranha 3D? 3 double D? 3DD? The internet hasn’t yet come to a consensus on this one, but what is known is that this movie manages to top its predecessor by including David Hasselhoff and a lot of strippers in the cast. I can’t wait for Piranha 4DDD

3) Gymkata

I have to thank Pierce for this one – he convinced me to watch it despite how hard I tried to leave. It ended up being a great waste of my time, and a true treasure in the world of B movies. It features an olympic gold gymnast as the United State’s best chance to get into Pakistan (or Iraq, or Khazakstan, I don’t really remember but it’s not pivotal to the movie).

4) The Immortals and Wrath of the Titans DOUBLE FEATURE

Yes, fact. I watched both of these movies on a particularly crummy night and guess what!? IT WAS AWESOME! Here’s the best part: I initially put in The Immortals thinking I was watching Wrath of the Titans, and for the first 30 minutes I was waiting for Sam Worthington to appear on screen. The best part is that the movie still made sense!

5) X-Men Origins: Wolverine

Here’s a big budget movie that really just dropped the bomb on the entire X-men series. It was going so well (at least well enough for me) until this movie came out. None of it made sense in the rest of the X-men story, and I’m glad that they stopped with just Wolverine.

Pedro’s Top Ten Movies

Here are my top ten, in no particular order. It was hard enough to try to come up with my top ten, there was no way I was going to order them given that they’re all so different. In the  future I’ll add explanations to each of them. For the purpose of today, though, I thought I’d leave it up for interpretation as we talk our way through the list.



2001: A Space Odyssey:


Pulp Fiction:

A Knight’s Tale:

Les Choristes:

Life is Beautiful:

Cinema Paradiso:

The Matrix


Pat’s Ten Diamonds in the Rough

This is a list of ten diamonds in the rough, movies that I’m glad I found and actually watched (NOT a list of underrated movies). This list is numbered but isn’t in any particular order. Note that a very unknown movie that I find good is about as likely to be on this list as a movie that I find to be fantastic and only a little less popular than average.

1. Mr. Nobody

It’s awesomeness/popularity ratio is huge.

2. Never Let Me Go

3. The Man From Earth

Watching this is like reading a great book. You just want it to be true…really fun.

4. The Fall

The little girl is annoying but I enjoyed this movie. If you don’t watch it in HD then you’re ruining it (I’m a huge quality snob).

5. Days of Heaven

The cinematography here is phenomenal.

6. Glengarry Glen Ross

7. Enter The Void

This movie is crazy weird—way off the deep end. I’m still not sure if I like it or if I’d ever watch it again but it’s very original and has content.

8. Mullholland Dr.

I know it’s a decently popular movie but I put it here under the justification that I think just about everyone who actually watches it is at least fairly into film.

9, 10. I couldn’t decide between The Virgin Suicides, Memories of Murder, Solaris (1972), and The Painted Veil for the final spots (probably because none of them are good enough).

Pat’s Top Ten Movies

This list is not numbered from my favorite to least favorite, but is numbered to provide organization and to make it easier to read.

1. Black Swan (Aronofsky, 2010)

The thing I like most about this film is that it’s closed. There’s something to be enjoyed about movies that leave questions up to the viewer to answer but I wouldn’t classify this one as such. It beautifully connects the end to the rest of the story and it is very conclusive. That being said, I do believe that it leaves plenty to be explored, allowing one to fall into the movie and experience new emotions. For me, that makes a movie great.

2. Blade Runner (Scott, 1982)

Along with just being a great tale, Blade Runner is a brilliant expression of what it means to be. I love it when a movie doesn’t smack the viewer in the face with ideas and philosphical questions but instead subtly paves a trail down which the viewer can walk themselves and start asking themselves the deeper questions. There are very obvious overtones of the what-it-means-to-exist theme but the aforementioned trail goes much deeper than what the viewer is presented with at face value. It’s a fun journey and I think everyone can learn something along the way.

3. The Fountain (Aronofsky, 2006)

I feel as though Aronofsky’s films have an underlying presence of hopeless desperation. I sometimes ask myself why I enjoy his films so much if they’re rooted on such a depressing base and I’m still not sure of the answer…..that’s all I have to say.

4. 2001: A Space Odyssey (Kubrick, 1968)

5. Mr. Nobody (Dormael, 2009)

This movie explores chaos, the impact of choices (or, perhaps the meaninglessness of them), and the nature of all. Given that I think it’s a crime to ruin a movie, I’ll just have to recommend this one strongly and write no more.

6–21 Grams (Inarritu, 2003)

This one makes you think and will probably leave you in a mood very different than the one you went in with; that usually means there’s some content.

7. The Shawshank Redemption (Darabont, 1994)

8. Pulp Fiction (Tarantino, 1994)

I considered the following movies for the last two spots.

Lost In Translation; Shutter Island; Into the Wild; Mulholland Dr.; There Will Be Blood, Requiem For A Dream, No Country For Old Men

Pierce’s Top Ten Directors

The following is a list of ten directors that I would put down as my personal favorites.  Instead of justifying my picks with words, I instead backed them up by listing three of each director’s best films.

  1. Stanley Kubrick- The Shining, 2001: A Space Odyssey, Barry Lyndon
  2. Paul Thomas Anderson- There Will Be Blood, Punch-Drunk Love, Magnolia
  3. Darren Aronofsky- Black Swan, The Fountain, Requiem for a Dream
  4. Wes Anderson- Bottle Rocket, Rushmore, Fantastic Mr. Fox
  5. Richard Linklater- Dazed and Confused, Before Sunrise, Before Sunset
  6. Steven Spielberg- A.I.: Artificial Intelligence, Jaws, E.T.: The Extra-Terrestrial
  7. Akira Kurusawa- Rashomon, Seven Samurai, Ikiru
  8. Sergio Leone- The Good, the Bad, and the Ugly, Duck, You Sucker, A Fistful of Dollars
  9. Martin Scorsese- Casino, Goodfellas, Taxi Driver
  10. Quentin Tarantino: Pulp Fiction, Jackie Brown, Kill Bill vol. 1